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内容大纲
“人文湾区·岭南三秀”丛书撷取三种深具文化底蕴和创新活力的经典艺术—粤剧、岭南画派和广东音乐,以图文双说、中英对照的方式,鲜活呈现岭南优秀传统文化,旨在增进青少年文化教育,推动人文湾区建设,促进中外文明的交流互鉴,打造新时代广东文艺通识读本。
本册从技、承、芳、成、传五个字立体展现的发展历史、代表人物、艺术特色及其与粤人个性之融合、地位及影响力。 -
作者介绍
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目录
Preface
引言
Rooting in Lingnan
——The History of Cantonese Music
深植岭南
——粤乐的历史沿革
Germination:Booming of the Folk Musical Bands
萌芽:民间私伙遍布各地
Origin:The Product of Multiple Cultures
起源:多元文化共同作用
Development:Masters and Masterpieces
发展:人才众多名品辈出
Reforms of the Musical Instruments
——The Soul of Cantonese Music
乐器变革
——粤乐的灵魂精髓
Prototype:Hard-Bow Performance to Depict Common Life
维形:硬弓演奏系民生
Transforming:Soft-Bow Bringing New Life
转型:软弓改良创新风
Maturity:Incorporation of the Western Music
成熟:洋为中用促传播
Contemporary Cantonese Music
——Heritage and Innovation of Cantonese Music
当代粤乐
——粤乐的传承创新
Heritage:Flowering Everywhere
传承:万家灯火万家弦
innovation:New Skills to Create Grandeur
创新:技法突破振雄风
Studies:Academic Reconstruction of the Culture
研究:学术重构文化潮
Combination of the East and the West
——Features of Cantonese Music
中西合璧
——粤乐的艺术特点
Rhythm:Elegant Brisk Lyrics
旋律:优美明快擅抒情
Themes:Common Feelings over Different Generations
主题:世俗情感代代传
Styles:Merging of Soul and Music
风格:人乐相通达灵境
Movement:Incorporation of the Westerm Musical Techniques
旋法:中西合壁立新风
Musical Instruments:Changing with the Times
配器:与时俱进争芳妍
Great Masters
——Eminent Persons in the History of Cantonese Music
群星璀璨
——粤乐名家人物志
The Three Hes:Pioneers of Modern Cantonese Music
何氏三杰:引领粤乐发展的开拓者
He Liutang:A Master at the Transitional Stage of Cantonese Music
何柳堂:粤乐史上承上启下的音乐大家
He Yunian:A Prolific Composer Determining the Position of Cantonese
Music
何与年:奠定粤乐戏曲地位的多产作家
He Shaoxia:A Master of Musical Instruments Expertizing in the
Classical Literature and Lyrics
何少霞:深谙古典文学和唱词的乐器高手
The Four Kings:Propellers Leading Cantonese Music to Its Golden
Age
四大天王:推动粤乐走向黄金时代
Lü Wencheng:A Master of Cantonese Music and Reformer of the
Musical Instruments
吕文成:一代粤乐宗师,力推器乐改革
Yin Zizhong:A Pioneer Who Nationalized the Violin
尹自重:小提琴民族化先驱
He Dasha:A Reformer of Guitar and Excellent Performer
何大傻:大胆改造吉他,演奏两艺俱佳
He Langping:A Lover of Classical Literature Dedicated to Folk Music
Creation
何浪萍:酷爱诗词,致力于民间乐曲创作
Qiu Hechou:The Initiate Providing Textbooks of Cantonese Music
丘鹤待:广东音乐启蒙者,编著最早课本
Blooming
——List of Classical Cantonese Musicol Pieces
百花齐放
——粤乐经典作品录
"The Pathetic Story of the Two Stars:Classical Musical Piece Based
on Chinese Folklore
《双声恨》:以民间传说为题材的古曲
“Lightning in the Blue Sky”:Music with New Performing
Techniques
《旱天雷》:技法推陈出新的粤乐佳作
"Plantains in the Rain”:Early Masterpiece with Heavy Lingnan
Flavor
《雨打芭蕉》:南国情趣的初期代表
"The Dragon Boat Race Champion:Classical Cantonese Music with
Western Techniques
《赛龙夺锦》:借鉴外来技巧的粤乐经典
“Step on Step”:Popular Music Singing about Musical Instrument
Reform
《步步高》:乐器改革的时代“流行曲”
“A Peacock in His Pride”:The Musical Piece Employing Variou
Western Musical Instruments
《孔雀开屏》:被最多西洋乐器演奏过的作品
“Little Taohong”:A Pioneer to Escape the Bondage of Tradition
《小桃红》:敢于突破传统的创新之作
“Birds Returning to the Woods":A Musical Piece Embodying Nature
《鸟投林》:体现自然之趣的音乐小品
Breakthrough
——The Peak of Cantonese Music in the New Age
推陈出新
——粤乐攀登新时代新高峰
New Birth:New Musical Pieces Created One after Another
新曲:大批新作不断涌现
New Trend:Creation not Limited to One Type
新风:创作尝试不拘一格
Following the Trend of the Times
——Cantonese Music Opening a New Chapter
时代潮流
——粤乐谱写新文化新篇章
Folk Music:Following the Social Trends
民乐:紧贴时代变革
Transformation:Carrier of Cultural Renaissance
转型:承载文化复兴
Afterword
后记
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