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内容大纲
客家山歌是客家人在山野间用客家话即兴演唱的口头文学，是中国重要的民间音乐文化，于2006年入选第一批国家非物质文化遗产名录。尽管在当地客家山歌独有的艺术特色被大家所广泛接收，但随着文化全球化时代的到来，客家人现代生活方式的改变、媒介技术的革新以及不同文化之间的碰撞与交流，从现今发展情况来看客家山歌已处于下滑之势，其传承与发展工作迫在眉睫。本书通过对客家山歌的认同、发展和变化进行研究，其目的在于：1）探讨客家山歌形成的认同的重要因素；2）探讨社会变迁与客家山歌的关系；3）探讨现代社会客家山歌的保护方式和发展策略。 -
作者介绍
边秀梅，博士，湖州师范学院艺术学院副教授，湖州市南太湖高端文化人才，泰国孔敬大学高级访问学者，中国艺术人类学学会会员，长期从事音乐人类学、声乐演唱与教学及音乐教育的研究。近年来主持和参与完成国家社科基金项目、全国教育技术研究规划课题等国家级、省部级课题8项。以第一作者在Journal of Music and Performing Arts、Journal of Fine and Applied Arts、《音乐创作》《学术交流》《中国电化教育》等期刊发表学术论文20余篇。从教20年来指导学生在各类比赛中获奖。 -
目录
CHAPTER 1 Introduction
1.1 Background and rationale
1.1.1 Foreign research status
1.1.2 Research status in China
1.2 Objectives of the study
1.3 Research questions
1.4 Definition of terms
1.4.1 Hakka mountain songs
1.4.2 Identity
1.4.3 Development
1.4.4 Change
1.5 Scope of the study
1.6 Significance of the study
1.7 Conceptual framework
1.8 Outline of the study
CHAPTER 2 Research Methodology
2.1 Research design
2.1.1 Literature review method
2.1.2 Fieldwork
2.1.3 Observation method
2.2 Data collection
2.3 Data analysis
2.3.1 Literature analysis
2.3.2 Comparative analysis
2.3.3 Music analysis
CHAPTER 3 Hakka Music Culture
3.1 The historical origin of Hakka music culture
3.1.1 Hakka music culture in ancient times
3.1.2 Hakka music culture from 1930 to 1978
3.1.3 Hakka music culture after Chinese reform and opening-up (after 1978)
3.2 The classification of Hakka music culture
3.2.1 Hakka traditional songs
3.2.2 Hakka instrumental music
3.2.3 Hakka song and dance
3.2.4 Hakka opera
3.2.5 Hakka rap art
3.3 The characteristic of Hakka music culture
3.3.1 The integration of Hakka music culture
3.3.2 The rationality of Hakka music culture
3.3.3 Openness and inclusiveness of Hakka music culture
3.4 Ecological environment of Hakka music culture
3.4.1 Natural ecology
3.4.2 Social ecology
CHAPTER 4 The Identity of I-Iakka Mountain Songs
4.1 The historical origin of Hakka mountain songs
4.1.1 Formation of Hakka mountain songs
4.1.2 Historical changes of Hakka mountain songs
4.2 The classification of Hakka mountain songs
4.2.1 Love songs
4.2.2 Production and life mountain songs
4.2.3 Current political mountain songs
4.2.4 Folklore mountain songs
4.2.5 Special forms of mountain songs
4.3 Musical morphological feature of Hakka mountain songs
4.3.1 Meters characteristics of Hakka mountain songs
4.3.2 Rhythm characteristics of Hakka mountain songs
4.3.3 Scale characteristics of Hakka mountain songs
4.4 Language features of Hakka mountain songs
4.4.1 The language features of life and visualization
4.4.2 The application of mood tone words
4.4.3 The use of rhetorical devices in Hakka mountain songs
4.5 Characteristics of accompaniment of Hakka mountain songs
4.5.1 Characteristics of accompaniment of Xingguo Hakka mountain songs
4.5.2 Characteristics of accompaniment of Meizhou Hakka mountain songs
4.6 Singing forms of Hakka mountain songs
4.6.1 Solo singing
4.6.2 Duet singing
4.6.3 Mountain song battle on the platform
4.6.4 Group singing and performing of mountain songs
4.7 Functions of Hakka mountain songs
4.7.1 Entertaining and communicative functions
4.7.2 Publicity and educational functions
4.7.3 Religious and cultural inheritance functions
CHAPTER 5 Investigation on the Present Situation of Hakka Mountain Songs
5.1 An analysis of the present situation of the spread and development of Hakka mountain songs
5.1.1 Disseminator
5.1.2 Dissemination content
5.1.3 Dissemination channel
5.1.4 Audience of communication
5.1.5 Communication effect
5.2 An analysis of the causes of the development and decline of Hakka mountain songs
5.2.1 Internal reasons
5.2.2 External reasons
CHAPTER 6 Measures and Paths of Inheriting and Developing Hakka Mountain Songs
6.1 Give full play to the main role of the government
6.1.1 Strengthening the funding budget and expanding the sources of funds
6.1.2 Establishing and improving the protection mechanism and management system of Hakka mountain songs
6.1.3 Constructing the protection, cultivation and inheritance system of Hakka mountain song inheritors
6.2 Developing the market of Hakka mountain songs
6.2.1 Construction of the Hakka mountain song brand
6.2.2 Creating Hakka mountain song cultural creative industry
6.2.3 Strengthening the combination of Hakka mountain song performance and Hakka tourism to promote regional economic development
6.3 Form a four-in-one protection and inheritance model of "picture, text, sound and image
6.4 Giving full play to the main roles of local colleges and universities
6.4.1 The role of cultivating talents
6.4.2 The role of
6.5.2 Innovation of accompaniment instruments
6.5.3 Innovation of language
6.5.4 Innovation of performance form
6.5.5 Innovation of stage design
6.5.6 Making use of various ways of communication to expand the audience and improve the effect of communication
CHAPTER 7 Conclusions
7.1 Important factors in shaping the identity of Hakka mountain songs
7.1.1 The immigrant culture of Hakka mountain songs
7.1.2 The interdependenty and symbiosis of Hakka mountain songs and Hakka culture
7.1.3 Characteristics of Hakka mountain songs' musical forms
7.2 The relationship between social change and Hakka mountain songs
7.2.1 The impact of social change on Hakka mountain songs
7.2.2 The impact of Hakka mountain songs on social change
7.3 Inheritance and development strategies of Hakka mountain songs in modern society
7.3.1 The protection and inheritance strategy for Hakka mountain songs
7.3.2 Development strategies for Hakka mountain songs
7.4 Discussion of the related theories and results
7.4.1 Discussion on related research theories
7.4.2 Deficiencies of this book
7.5 Suggestions
7.5.1 Feedback from research
7.5.2 Suggestions for the future research
REFERENCES
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