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    • 英诗学习指南--语言学的分析方法(升级版)(英文版)/当代国外语言学与应用语言学文库
      • 作者:(英)杰弗里·N.利奇|责编:李亚琦
      • 出版社:外语教研
      • ISBN:9787521329346
      • 出版日期:2022/04/01
      • 页数:240
    • 售价:17.2
  • 内容大纲

        本书是运用语言学理论和分析方法解析诗歌语言的开山之作。作者以“前景化”为主线,重点介绍了诗歌语言的特点及其变异形式,用丰富的实例与翔实的解析引导我们运用语言学分析方法赏析英诗,为我们研究文学语言的本质和属性提供了许多宝贵的启示和依据。本书理论阐述清晰易懂,既适合专业研究者与高校师生阅读,也适合喜爱英文诗歌的一般读者阅读。
  • 作者介绍

  • 目录

    Foreword
    Acknowledgments
    INTRODUCTION
      0.1  The'lang.-lit.' problem
      0.2  A descriptive rhetoric
      0.3  Poetic language and 'ordinary' language
      0.4  A possible misgiving
      Notes
    1  POETRY AND THE LANGUAGE OF PAST AND PRESENT
      1.1  Varieties of English usage
        1.1.1  Dialects
        1.1.2  Registers: usage according to situation
      1.2  Linguistic convention in poetry
        1.2.1  The trend of conformity
        1.2.2  The function of archaism
        1.2.3  Poetic language and 'poetical' language
        1.2.4  Grand, middle, and plain styles
        1.2.5  The routine licences of verse composition
      Examples for discussion
      Notes
    2 THE CREATIVE USE OF LANGUAGE
      2.1  The escape from banality
      2.2  Two meanings of'creative'
      2.3  The qualities of prose in poetry
      2.4  Degrees of linguistic audacity
      Examples for discussion
      Notes
    3  VARIETIES OF POETIC LICENCE
      3.1  Anatomy of language
        3.1.1  The Three main levels: realization, form, semantics
        3.1.2  Phonology and graphology
        3.1.3  Meaning and significance
        3.1.4  Ancillary branches of linguistics
      3.2  Types of deviation
        3.2.1  Lexical deviation
        3.2.2  Grammatical deviation
        3.2.3  Phonological deviation
        3.2.4  Graphological deviation
        3.2.5  Semantic deviation
        3.2.6  Dialectal deviation
        3.2.7  Deviation of register
        3.2.8  Deviation of historical period
      3.3  Conclusion
      Examples for discussion
      Notes
    4  FOREGROUNDING AND INTERPRETATION
      4.1  Foregrounding
        4.1.1  Foregrounding in art and elsewhere
        4.1.2  An example
      4.2  Interpretation

        4.2.1  The subjectivity of interpretation
        4.2.2  The 'warranty' for a deviation
      4.3  Parallelism
        4.3.1  Parallelism as foregrounded regularity
        4.3.2  How much regularity?
        4.3.3  Patterns of identity and contrast
        4.3.4  The interpretation of parallelism
      Examples for discussion
      Notes
    5  VERBAL REPETITION
      5.1  Schemes and tropes
      5.2  Formal repetitions
        5.2.1  Free verbal repetition
        5.2.2  Types of verbal parallelism
        5.2.3  The functions of verbal parallelism
      Examples for discussion
      Notes
    6  PATTERNS OF SOUND
      6.1  Sound patterns within syllables
      6.2  Sound patterns in relation to stress
      6.3  ' Music' in poetry
      6.4  The interpretation of sound patterns
        6.4.1  'Chiming'
        6.4.2  Onomatopoeia
        6.4.3  Varieties of onomatopoeia
      Examples for discussion
      Notes
    7  METRE
      7.1  Rhythm and metre
      7.2  The rhythm of English
        7.2.1  The measure: the unit of rhythm
        7.2.2  Which syllables are stressed?
        7.2.3  Pauses
        7.2.4  Syllable length
      7.3  Metre and the line of verse
        7.3.1  English metre as rhythmic parallelism
        7.3.2  The 'foot' of traditional prosody
        7.3.3  The line of verse
        7.3.4  Some numerical aspects of metre
        7.3.5  Accentual metre
      7.4  The interaction of rhythm and verse form
        7.4.1  Defeated expectancy
        7.4.2  Metrical variation
      7.5  Grammar and metre
        7.5.1  Enjambment
        7.5.2  The 'verse paragraph'
      For discussion
      Notes
    8  THE IRRATIONAL IN POETRY
      8.1  A logical view ofmeaning

        8.1.1  Some types of semantic oddity
        8.1.2  Definition and description
      8.2  Redundancy in poetry
        8.2.1  Pleonasm
        8.2.2  Tautology
        8.2.3  Periphrasis
      8.3  Absurdity in poetry
        8.3.1  Oxymoron
        8.3.2  Paradox
      8.4  Beyond reason and credibility
      Examples for discussion
      Notes
    9  FIGURATIVE LANGUAGE
      9.1  Transference of meaning
        9.1.1  Synecdoche
        9.1.2  Metaphor
        9.1.3  Metonymy
      9.2  Aspects of metaphor
        9.2.1  How to analyse a metaphor
        9.2.2  Simile and metaphor
        9.2.3  Notional classes of metaphor
        9.2.4  Extended metaphor
        9.2.5  Compound metaphor and mixed metaphor
        9.2.6  Symbolism and allegory
      Examples for discussion
      Notes
    10  HONEST DECEPTIONS
      10.1  Hyperbole and litotes
        10.1.1  Hyperbole
        10.1.2  Litotes or rhetorical understatement
        10.1.3  The uses of hyperbole and litotes
      10.2  Irony
        10.2.1  The mask of irony
        10.2.2  Irony and metaphor
        Io.2.3  Innuendo
        10.2.4  Irony of tone
      Examples for discussion
      Notes
    11  IMPLICATIONS OF CONTEXT
      11.1  Licences of situation
        11.1.1  Rhetorical question
        11.1.2  Apostrophe
        11.1.3  Routine licences of situation
      11.2  The given situation
      11.3  The' world within the poem'
        11.3.1  The introduction of inferred situations
        11.3.2  Words of definite meaning
        11.3.3  Fact and ~oll
        11.3.4  Impossible situations
      11.4  Situation and action

      11.5  Conclusion
      Examples for discussion
      Notes
    12  AMBIGUITY AND INDETERMINACY
      12.1  Kinds of ambiguity
      12.2  Puns and word-play
        12.2.1  Technical variations
        12.2.2  In defence of the pun
      12.3  Open interpretation
        12.3.1  Sources of multiple and indetermite signifi Cance
        12.3.2  The analogy of visual arts
        12.3.3  Seeking the optimal interpretation
      Examples for discussion
      Notes
    CONCLUSION
    Notes
    Suggestions for Further Readin&
    General Index
    Index of Sources of Examples for Discussion

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