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本书作者乔纳森·卡勒曾以《结构主义诗学》和《论解构》奠定其在欧美结构主义和后结构主义批评理论史上的重要地位，他从抒情诗的历史传统及其体裁理论的嬗变、抒情体裁的仪式性与虚构性、抒情言说的行为性与表演性、抒情自我的个性化与社会化等问题入手，通过经典诗歌分析，对抒情诗的传统规约、本质特点、体裁概念、社会功能提出了独到的理论见解，对抒情诗理论研究、诗歌文本解读及教学实践都具有重要的指导意义。
作者介绍
目录
Preface
Introduction
ONE  An Inductive Approach
  NINE POEMS
  FOUR PARAMETERS
TWO  Lyric as Genre
  NOTIONS OF GENRE
  LYRIC HISTORY
  LYRIC GENRE
THREE  Theories of the Lyric
  HEGEL
  IMITATION SPEECH ACTS OR EPIDEIXIS?
  PERFORMATIVE AND PERFORMANCE
FOUR  Rhythm and Repetition
  METER
  RHYTHM
  SOUND AND REPETITION
FIVE  Lyric Address
  ADDRESS TO LISTENERS OR READERS
  ADDRESSING OTHER PEOPLE
  APOSTROPHE
SIX  Lyric Structures
  MAPPING THE LYRIC
  LYRIC HYPERBOLE
  DRAMATIC MONOLOGUE
  FRAMING PAST EVENTS
  THE LYRIC PRESENT
SEVEN  Lyric and Society
  ENGAGEMENT AND DISENGAGEMENT
  THREE EXAMPLES
  ADORNO'S DIALECTIC
  TANGLING WITH IDEOLOGY
Conclusion
Notes
Index

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作者介绍