- 小说文体论--英语小说的语言学入门(第2版升级版)(英文版)/当代国外语言学与应用语言学文库
- - 作者：(英)杰弗里·利奇//米克·肖特|责编:李亚琦//宋锦霞
  - 出版社：外语教研
  - ISBN：9787521347326
  - 出版日期：2023/08/01
  - 页数：404
- 售价：28

内容大纲
世界著名文体学家利奇教授和肖特教授从“文体”的定义和范畴入手，提出文体分析模式，并举例说明如何运用语言学对小说展开文体分析。作者紧跟研究前沿，对第一版进行了修订，评介了文体学领域的新发展。本书是文学文体学领域的代表作之一，亦是国际文体学教学与研究界影响深远的经典教材和著作。
作者介绍
目录
Foreword
Preface to the second edition
Acknowledgements
Publisher's acknowledgements
Introduction
  Aim
  Language in prose and poetry
  Where linguistics comes in
  The scope and design of this book
  Notes
PART ONE: APPROACHES AND METHODS
  1  Style and choice
    1.1  The domain of style
    1.2  Stylistics
    1.3  Style and content
      1.3.1  Style as the ‘dress of thought': one kind of dualism
      1.3.2  Style as manner of expression: another kind of dualism
      1.3.3  The inseparability of style and content: monism
    1.4  Comparing dualism and monism
    1.5  Pluralism: analysing style in terms of functions
    1.6  A multilevel approach to style
    1.7  Conclusion: meanings of style
    Notes
  2  Style, text and frequency
    2.1  The problem of ‘measuring' style
    2.2  The uses of arithmetic
    2.3  Deviance, prominence and literary relevance
    2.4  Relative norms
    2.5  Primary and secondary norms
    2.6  Internal deviation
    2.7  Pervasive and local characteristics of style
    2.8  Variations in style
    2.9  Features of style
    2.10  Style markers and the principle of selection
    2.11  Conclusion
    Notes
  3  A method of analysis and some examples
    3.1  A checklist of linguistic and stylistic categories
    3.2  Notes on the categories
    3.3  Joseph Conrad: example 1
    3.4  D.H. Lawrence: example 2
    3.5  Henry James: example 3
    3.6  Conclusion
    3.7  Quantitative appendix
    Notes
  4  Levels of style
    4.1  Language as a cognitive code
    4.2  Messages and models of reality
    4.3  An example: Katherine Mansfield
      4.3.1  The semantic level

      4.3.2  The syntactic level
      4.3.3  The graphological level
      4.3.4  Phonological effects
    4.4  A justification for studying stylistic variants
    4.5  Levels and functions
    4.6  Style and qualitative foregrounding
    4.7  The remainder of this book
    Notes
PART TWO: ASPECTS OF STYLE
  5  Language and the fictional world
    5.1  Language, reality and realism
    5.2  Reality and mock reality
    5.3  Specification of detail: symbolism and realism
    5.4  Real speech and fictional speech
      5.4.1  Realism in conversation
      5.4.2  Dialect and idiolect
      5.4.3  Speech and character
    5.5  The rendering of the fiction
      5.5.1  Fictional point of view
      5.5.2  Fictional sequencing
      5.5.3  Descriptive focus
    5.6  Conclusion
    Notes
  6  Mind style
    6.1  How linguistic choices affect mind style
    6.2  A comparison of three normal mind styles
    6.3  Some more unusual mind styles
    6.4  A very unusual mind style
      6.4.1  General structure
      6.4.2  Lexis
      6.4.3  Syntax
      6.4.4  Textual relations
    Notes
  7  The rhetoric of text
    7.1  The rhetoric of text and discourse
    7.2  The linearity of text
    7.3  The principle of end-focus
    7.4  Segmentation
      7.4.1  The ‘rhythm of prose'
      7.4.2  Segmentation and syntax
    7.5  Simple and complex sentences
      7.5.1  Coordination and subordination
      7.5.2  The principle of climax: ‘last is most important'
      7.5.3  Periodic sentence structure
      7.5.4  Loose sentence structure
    7.6  Addresser-based rhetoric: writing imitating speech
    7.7  Iconicity: the imitation principle
      7.7.1  Three principles of sequencing
      7.7.2  Juxtaposition
      7.7.3  Other forms of iconicity

    7.8  Cohesion
      7.8.1  Cross-reference
      7.8.2  Linkage
    7.9  Conclusion
    Notes
  8  Discourse and the discourse situation
    8.1  The discourse situation of literature
      8.1.1  Implied author and implied reader
      8.1.2  Authors and narrators
      8.1.3  Narrators and characters
    8.2  Point of view and value language
    8.3  Multiplicity of values
    8.4  Irony
    8.5  Authorial tone
    8.6  Conclusion
    Notes
  9  Conversation in the novel
    9.1  Pragmatics and the interpretation of conversation
      9.1.1  Speech acts
      9.1.2  Conversational implicature
    9.2  Pragmatics and thought
    9.3  ‘Conversation'between authors and readers
    9.4  An extended pragmatic analysis
    9.5  Conversational tone
      9.5.1  An example: references to people
      9.5.2  Other indicators of politeness
      9.5.3  Politeness and formality
    9.6  Conclusion
    Notes
  10  Speech and thought presentation
    10.1  The presentation of speech
      10.1.1  Direct and indirect speech (Ds and 1s)
      10.1.2  Free direct speech (FDS)
      10.1.3  The narrative report of speech acts (NRSA)
      10.1.4  Free indirect speech (FIS)
      10.1.5  The effects and uses of FIs
    10.2  The presentation of thought
      10.2.1  The categorisation of thought presentation
      10.2.2  The relationship between inner speech and point of view
      10.2.3  Uses of the categories of thought presentation
    10.3  Conclusion
    Notes
  11  Stylistics and fiction 25 years on
    11.1  The development of stylistics as a sub-discipline
    11.2  New developments in the stylistic analysis of prose fiction and what, with hindsight, we would add to Style in Fiction
      11.2.1  Story/plot
      11.2.2  Fictional worlds, text worlds, mental spaces
      11.2.3  Character and characterisation
    11.3  New developments in the stylistics of prose fiction and what, with hindsight, we would change in Style in Fiction
      11.3.1  Different kinds of viewpoint and different linguistic indicators of viewpoint

      11.3.2  Narratological aspects of viewpoint
      11.3.3  Speech, thought and writing presentation
    11.4  Detail and precision, and the way ahead
  12  The Bucket and the Rope'
    12.1  T.F.Powys
    12.2  ‘The Bucket and the Rope'
    12.3  Discussion of ‘The Bucket and the Rope'
      12.3.1  Provisional interpretative comments on the story
      12.3.2  The title of the story: schemata and associations
      12.3.3  The story's discourse structure: narration, speech presentation and ‘framing'
      12.3.4  The story's structure
      12.3.5  Structuralist and possible worlds accounts of literary narratives: Claude Brémond and Marie-Laure Ryan
      12.3.6  Linking structure and interpretation: Claude Lévi-Strauss
      12.3.7  Fictional worlds and viewpoint
      12.3.8  Textual analysis in terms of lexis, grammar and meaning
      12.3.9  Characterisation
    12.4  Assessing the new techniques
    Notes
Passages and topics for further study
Further reading
Bibliography
Index of works discussed
General index

内容大纲

作者介绍

目录

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